Ernie Barnes, No Time for Church, 1972, acrylic on canvas, 18 x 24 inches
Ernie Barnes, Study for The Dream Unfolds, 1995, acrylic and graphite on paper, 37 7/8 x 25 3/8 inches
Davis Cone, Forum, 1994, acrylic on canvas, 25 x 43 inches
Philip Evergood, Innocent Abroad, 1938, oil on canvas, 10 1/2 x 8 inches
Philip Evergood, M.T. Florinsky, D.S. Mirsky, and the Pidget, 1928, oil on canvas laid down on panel, 40 1/4 x 50 1/4 inches
César Galicia, Telephone, 2012, mixed media on board, 36 1/4 x 25 1/4 inches
Gregory Gillespie, Fragment (Vietnam Shrine), 1966, mixed media, 25 x 19 x 4 1/2 inches
William Gropper, Little Steel (SOLD), ca. 1938, oil on canvas, 33 3/4 x 44 1/2 inches
Chaim Gross, Making Up, 1929, bronze, 22 1/2 x 7 1/2 x 7 1/2 inches
George Grosz, Berlin Street Scene, 1930, watercolor on paper, 22 x 23 1/2 inches
Kathe Kollwitz, Grief (also known as Lamentation, Memorial for Ernst Barlach), 1938-40, bronze, 10 1/4 x 10 x 3 3/4 inches
Jack Levine, 1932 (In Memory of George Grosz), 1959, oil on canvas, 64 x 56 inches
The Card Players, 1940, gouache on paper, 16 3/4 x 21 3/4 inches
Louis Lozowick, Subway Contruction, 1931, lithograph, 6 1/2 x 13 inches
Reginald Marsh, Mrs. Martin's Famous Homemade Tarts, c. 1933, crayon on paper, 10 x 14 inches
Anthony Mitri, Clothcraft Clothes, Cleveland, Ohio, 2009, charcoal on paper, 21 1/2 x 38 inches
Bernard Perlin, Hope Had Been Abandoned (The Recovery Room), 1944, casein and tempera on panel, 10 1/4 x 20 inches
Bernard Perlin, Hospital Corridor, 1961, tempera on board, 13 1/4 x 24 1/4 inches
Winfred Rembert, Jeff’s Café & Pool Room and Zeb’s Shoe Shine, 1998, dye on carved and tooled leather, 22 x 28 inches
Winfred Rembert,The Chain Gang in the Ditch, 2005, dye on carved and tooled leather, 40 x 28 inches
Winfred Rembert, The Slave Brothers, 2013, dye on carved and tooled leather, 10 1/2 x 10 1/2 inches
Winfred Rembert, Untitled (The Dirty Spoon Café), 2011, dye on carved and tooled leather, 10 9/16 x 15 5/8 inches
Winfred Rembert and Class of 1959, 1999, dye on carved and tooled leather, 22 1/2 x 32 1/2 inches
Ben Shahn, Death on the Beach, 1945, tempera on board, 9 1/2 x 13 3/4 inches
Raphael Soyer, Back Stage, 1935, oil on canvas, 28 1/4 x 28 1/4 inches
Raphael Soyer, Diane Di Prima Walking, 1965, oil on canvas, 38 x 28 inches
Raphael Soyer, Waiting at the Station, nd, oil on canvas, 18 x 14 inches
Alfred Stieglitz, The Steerage, 1907 (printed in 1911), photogravure, 7 1/2 x 6 inches