Ivan Le Lorraine Albright, After the Race, 1938, oil on canvas, 36 x 20 inches
Ivan Le Lorraine Albright, Lobsterman's Catch, 1940, oil on canvas, 20 x 30 inches
John Biggers, Coming Home from Work (SOLD), 1944, oil on board, 40 x 32 inches
James H. Daugherty, Synchromist Landscape: Devils Glen, Weston, Connecticut, c.1927, oil on canvas, 40 x 30 inches
Stuart Davis, Sketchbook 23-1 (Study for 'Pennsylvania'), c. 1946, pencil on paper, 16 3/4 x 13 3/4 inches
Philip Evergood, Workers Victory, 1948, oil on canvas on board, 49 3/4 x 48 inches
Gregory Gillespie, Bird, Man, Japanese Figure and Mad Dog, 1983, oil on wall board, 24 x 33 1/2 inches
Gregory Gillespie, Landscape with Cart, 1992, oil on panel, 16 1/4 x 21 inches
Gregory Gillespie, Red Mountain, 1995, oil, pencil and Xerox transfer on panel, 16 1/4 x 10 inches
Arshile Gorky, Mother and Child, 1937, oil on canvas, 47 x 36 inches
John Graham, Portrait of a Woman, 1943, oil on canvas, 24 3/8 x 20 3/8 inches
Red Grooms, Animal Instincts, 1992, collage and mixed media, 30 x 46 inches
Red Grooms, L'Arlesian, nd, oil on wood/metal, 48 x 8 x 2 inches
William Gropper, Little Steel, ca. 1938, oil on canvas, 33 3/4 x 44 1/2 inches
Marsden Hartley, Ski Signs, 1939, oil on board, 22 x 28 inches
Marsden Hartley, Still Life with Lemons (Fruit and Tumbler), 1928, oil on composition board, 23 7/8 x 19 5/8 inches
John Kane, John Kane and His Wife (SOLD), c. 1928, oil on canvas, 23 3/4 x 23 3/4 inches
Mikhail Larionov, Design for Shadow Puppet, c. 1917-23, gouache and pencil on paper, 9 x 6 inches
John Marin, Sea and Boat Fantasy, 1944, oil on canvas, 28 x 34 1/4 inches
Alfred Maurer, Abstract Still Life with Cups, c.1919, oil on gesso board, 11 3/4 x 20 inches
Alfred Maurer, Cubist Still Life, c. 1919, oil on gesso board, 21 1/2 x 17 3/4 inches
Louise Nevelson, Night Zag VI (SOLD), 1966, painted wood construction, 32 h x 59 w x 9 3/4 d inches
Faith Ringgold, Wedding on the Seine, 1991, acrylic on canvas, tie-dyed, pieced fabric border, 74 x 89 inches
Ben Shahn, Branches of Water or Desire, 1965, gouache and watercolor on paper, 26 1/2 x 21 inches
Charles Sheeler, The Spirit of Research, 1955-6, tempera on plexiglass, 9 1/2 x 5 7/8 inches